Forward, turn right, past the grimy pillar and forward again; his bare feet moved constantly over the filthy, tiled floor. Around and around in unending circles, the cold never penetrating the layer of dirt that encrusted his calloused soles and thickened toenails. He felt no chill through his thin orange overalls, not even at the patches and splits made by many long years of wear and tear. He felt no pain from the tight restraints which held his arms firmly against his body, nor from the ragged wounds caused by the leather rubbing at his wrists. He felt no fear at the sounds echoing in distant halls and corridors, and eerie screams that pierced the stifling melancholy around him. He felt nothing at all, but his own sorrow.
It was impossible to say how long he'd been moving—time had no meaning in this underground prison. He'd been here for longer than the remains of his brain would allow him to consider. It wouldn't let him have much beyond a few scant memories. But the images that came and went in his mind, he couldn't be sure were memories at all. They were just moving pictures that he couldn't identify, places he didn't recognise, maybe they were even scenes from films, rather than his former life. A pretty middle-aged woman with honey coloured hair, smiling and pushing a stray lock back from her face as she slapped an eager arm away from around her waist. Two young boys shouting to a happy barking dog that bounded back and forth, as they kicked a ball about on a daisy strewn lawn. A scruffy man holding a spanner, grunting as he struggled to free the joint of a broken pipe, in a neat blue bathroom. A white van pulling up beside a modest town house in a quiet street. And many other things which had no meaning to him. All he knew was pain, and a fear of the men in white coats who had brought it to him.
His cell had been empty, save for a rusty bed to which he'd been strapped. When he hadn't been restrained he'd been in a larger room, full of strange lights and noises, and bad things being done to him. Things that hurt. Tall dark figures in black, pointing guns at him and shouting, prodding him with sticks that burned, and pushing him in the direction they wanted him to go. And the white coated men, with sharp metal tools that made him bleed and cry, and he didn't understand why. He'd known once but it was too frightening, and his head wouldn't tell him what it was again.
Then something had changed. It went dark, then there were loud noises and a big growling dog. It ran into his world and made all of the tall, dark figures leave. They'd fired their guns, run round and screamed, and then had all disappeared. And the white coated men too, were gone. Except for one with a purple face and red around his neck and chest, but he lay still on the floor and never moved. Just smelled bad. For a while the man in the orange suit was alone, shuffling about in circles because there was nowhere for him to go. Until the creepy grey people came.
They didn't hurt him—just looked and moved away. And wandered around quietly, like he did. He could hear their grunts and heavy breathing, but couldn't see their faces. Thick bandages covered their heads, wrapped around like Egyptian mummies. And they'd broken their leather restraints open, leaving the straps trailing on the floor behind them as they walked. But not one ever broke open his restraints to free him. He was still a prisoner. They'd violently destroyed everything else instead; tables and chairs, light fittings, anything they could reach—they'd even opened large holes in the ceiling of the dining room, allowing damaged cables to fall and shower the rooms with pretty, crackling sparks. The locks on the cell doors had been smashed too, but there were only beds to overturn inside.
And for a while after the havoc, they mostly settled down and it was almost quiet again. The scary dog came and went sometimes, through gratings in the walls which it had clawed open, and he hid from it when he heard it coming. It scared him a lot, but the grey men didn't seem scared enough to hide. Every now and then he'd hear one shriek when it was bitten, and get covered in something wet and red. Then be dragged, struggling into a vent, with the screams stopping soon after. The dog liked eating grey men, and left a lot of red stuff lying on the floor. The orange man scraped some of it up, when he was hungry too. It wasn't nice, but there was nothing else to eat. And he had no company apart from the weird grey people, and the fleeting images in his brain.
He wanted it all to stop. The rooms around him were cold and lonely, and he was suffering.
Then one day there was someone else, someone new. Someone who hadn't liked the grey people attacking him, and had shot them all dead. A man who had stopped and stared at the mass of bloody stitches and misery in dirty overalls in front of him, with a mixture of pity and disgust on his face. But the new man wouldn't shoot him as well, when he'd tried to ask. Standing in front of him, looking with longing at the mercy he could give, each time he attempted to plead for an end to his pain, only a series of low breathy grunts and moans passed through his lips. No words came forth to tell the man what he wanted. What was left of his mind was no longer connected to his voice, and no-one could have guessed at what he wanted.
Tears poured silently down his face when the man with the gun went away, leaving him alone, shuffling around in the gloom once more.
~
It had been a little after six when Robert Stansel went to his last job of the day. An emergency call out to a badly leaking water pipe in a factory kitchen across the city, and the woman on the phone had sounded frantic. There was water gushing all over the floor she'd said, and it was already dripping through to the one below, where there was delicate and expensive machinery. If anything was damaged, her boss would be livid—he had a vile temper, and might fire her when he found out. What was she to do but call a plumber in such an emergency?
Although he was already on his way home, he didn't like to leave a customer in distress, and had agreed to go over and fix it straight away. It didn't sound like a big problem, just a quick pipe replacement job which shouldn't take more than half an hour. Stopping by the roadside for a minute, he pulled his mobile from the top pocket of his orange overalls, and phoned his wife to let her know that he was going to be late.
She gently rebuked him—he was too kind for his own good. Always off to help people after work, when he was supposed to be finished and at home. Dinner was almost ready, and it would be ruined if she left it in the oven any longer. And the boys had been complaining to her for food since they'd arrived home from school, and trying to pinch snacks from the biscuit tin. She couldn't make them wait until later to eat, they were hungry now. Stansel laughed and insisted that they go ahead with their meal, and his wife promised to try and save something from the eager appetites of their two sons, for him to have when he got home.
Sighing as he glanced at the photograph of his family, taped to the back of his phone case—his wife, a pretty woman with honey coloured hair, his two growing boys, and their spaniel Pippa—he wished that his colleague Thomas wasn't at home off ill. He wouldn't have minded a last minute call like this. There was no rush for him to be home on time, what with being young free and single, and having no commitments but to himself and his work.
Pulling up in an empty yard in front of a large, almost featureless brick building, Stansel reached into the back of the van for his tool bag, before walking around the side wall to another yard, overlooking a neighbouring warehouse. The green door at the back of the factory, the woman had said. It took him a minute to find with the building being so large, and there was something intimidating about the silence of the place. A factory this size must employ hundreds of people, but there was no suggestion that there was anyone inside at all. No cars parked nearby, no sound of machinery, nothing.
A slight prickling sensation began to creep up his spine as he knocked on the door. And barely a moment passed before it was opened. The woman had been waiting for him. She was pale and slender, sporting a straight black bob which stopped just past her jaw line. And her clothing was most peculiar—long black gloves, even longer black boots, and a tailored turquoise dress that looked more like a laboratory coat. Unusual attire for factory work.
"Ah!" she said, in an accent that he didn't recognise. "You must be the plumber."
A strange smile played across her lips, making him feel even more nervous, and reluctant to stay. But he couldn't bring himself to leave a customer with a problem, so instead, nodded and handed her his card.
"Come in, Mr. Stansel, your timing is perfect," she purred, her smile deepening as she closed the door behind him.
"You are exactly what I needed."
